Tags:flickr, library of congress.
Here’s something awesome I just came across. The Library of Congress has a Flickr feed where they publish a stream of photos from their archive. It’s well worth checking out. I added them as a contact so that I can see their newest additions on my Flickr home page. Fascinating stuff!
Posted on 23 April '10 by admin, under Cool Stuff, photography. No Comments.
This is a reprint of a post I made at the National Association of Watch and Clock Collectors forum on the reasons why I wear an expensive mechanical watch and not a more accurate $10 quartz:
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To me the appeal of a fine wrist or pocket watch is the fact that it’s a crafted mechanism. A little, hand made machine that does one thing and does it well. As such it has a heart and soul that quartz movements simply don’t have. A battery watch, as beautiful as the case, hands and dial may be, simply isn’t alive with the human spirit in the way that a mechanical watch is. There’s an allure to the idea that someone designed each wheel, each pivot, each plate and so forth. They’re individual in a way that mass produced electronic watches aren’t. You can hear them beating out the time. They seem alive and vital. Add to this the rich history of mechanical watch making generally, company history, model history and individual watch history and you have an incredibly compelling device that’s far more nuanced than a piece of electronics.
And furthermore, one of the best things about a wind up watch movement is that you put the power into it yourself. When you wind it you give it the motive force. Each tick releases energy that you inserted. It can’t run without your power, yet it’s independent from the impersonal chemistry of a battery. A mechanical watch in good working order will beat out the time in any situation as long as you wind it up and set it, but a battery watch is a paperweight if the cell goes dead and you have no source for a new one, regardless of the condition of the movement itself. Imagine, for example, trying to find just the right battery for a 60s era electronic watch a hundred years from now. Not an issue with a mechanical watch, many of which are well over a hundred years old and work perfectly by simply winding up the mainspring. A mechanical watch enthusiast has a kind of symbiotic relationship with the device.
This is the exact reason that I collect vintage cameras too. Though I love my modern Nikon DSLRs, they don’t have the spirit of a fully mechanical Leica or Rolleiflex. A printed circuit doesn’t compare to the wheels and gears of a mechanical camera’s works.
Tags:1873, 19th century, pocket watch, welsh fusee.
Many years ago my father gave me a pocket watch that’s been in my family for five generations. It didn’t work, and I didn’t know anyone who could fix it, so it sat in my drawer for a very long time. Then, recently my brother found a watch repairman who was interested in servicing it. His name is Tom Patana, and if you need a watch repaired, I highly recommend him. You can contact Tom at 503-283-0070.

Tom spent about 12 hours working on the watch. It broke over twenty years ago and had spent the intervening years sitting in a drawer. As a result it needed a lot of delicate work to get it back in shape. Interestingly, one of the ruby jewels had broken and had to be replaced, something Tom was very surprised to see.
The watch is now in excellent working condition. It’s got a strong, even beat to it and it’s been keeping very accurate time for the last week, losing only about 30 seconds every two or three days. What makes that even more impressive is that the watch is 137 years old.

After some research, here’s the history of the watch as far as I can determine:
In the mid 19th century the Hughes family resided in Wales where they were coal miners. They lived in the heart of the region that produced nearly 2/3 of the world’s coal at the time. Around 1870 my great, great grandfather Joseph J. Hughes met his future wife Jane Baxter. Jane and her family were from a small Welsh town called Llanidloes and when the two got married I believe this watch was given to JJ. Hughes as a wedding gift by Jane’s father Lewis Baxter. The movement in the watch is engraved with the name of the watch maker (William Williams) and the town the watch was made in.


The watch was made to order, the movement manufactured in Llanidloes and the case made in London. The silver assayer’s marks indicate that the case was finished in 1873 and show that the silversmith was John William Hannon who had his studio at 11 Sekforde Street, Clerkenwell, London.

The watch is a type of machine known as a “fusee movement.” All mechanical watches are powered by a wound up main spring that provides the motive force to move the gears around. When the main spring is freshly wound it releases more energy than when it’s run down toward the end. That means that without compensation the watch would run faster when the spring is wound tight and slower when the spring is wound out. To account for this variability the fusee movement uses a very small chain (like a bicycle chain) that wraps around a cone shaped barrel. When the watch is tightly wound the chain releases less energy to the watch and as the watch winds down the chain releases incrementally more power, making for a very even power distribution across the entire wind range.

The gears or wheels in this movement are jeweled for smooth motion. I believe this watch has 15 – 17 jewels.
Fusee movements were very popular in 19th century England and it’s a testament to the craftsmen behind this watch that 137 years after it left the watchmaker it’s still running strong and keeping excellent time.
A watch of this type was an expensive purchase back in 1873. Here’s a quote from a helpful watch historian who helped me figure out some of the watch’s history:
In Priestley’s seminal book on watch cases, he refers to some archives (dated about 1870) of Benson Bros in which they quote the cost of making a hunter case (excluding case metal) at 12 shillings. Priestley says the gold cost of a 2 ounce 18K case at that time would have been 6 pounds 7 shillings, so I’ll guess that Sterling silver would have cost at least 1 pound. Allowing for the cost of the movement, and the profit margin, my wild guess at what it would have cost to buy this watch is at least … FIVE POUNDS. I do know that a particular top of the range movement in a heavy 18K gold case in 1898 did cost £30.
The average miner’s wage in 1873 was 1 pound 13 shillings which had reduced to 1 pound by 1879. So this watch probably cost anywhere between three and five weeks gross earnings !!!!! That would be the equivalent of £1500-2500 today.
The current exchange rate for Pounds to Dollars is about 2:1, so the contemporary cost for a watch like this one would be in the range of $3,000.o0 to $5,000.00. That’s more than I spent on my latest computer, and the chances that it’ll still be in service by 2143 are absolutely nil.
JJ. Hughes, his wife Jane and Jane’s parents all came to America in the late 1880s. They moved here because the coal mines in Wales were drying up. Some of their relatives had moved to America earlier and found work in the coal mines of Kentucky, and that’s where JJ. Hughes and his family ended up. They settled in a little town called Pittsburgh in Laurel County, Kentucky. JJ. Hughes probably passed this watch on to his son JL. Hughes but it’s unlikely that JL used it much. JL Hughes was a railroad conductor and he carried a 1911 Hamilton 992 watch, which was a “railroad standard” time keeping device accurate to 30 seconds per week. The old Welsh fusee watch simply wasn’t accurate enough (or approved for use by his employer) to do duty as a railroad watch. So it probably sat in his drawer, maybe only coming out for special occasions. When JL Hughes died the watch became my father Harold E. Hughes’s, but by that time (the mid 1960s) men were wearing wrist watches almost exclusively. My dad put it in a drawer and there it sat until he gave it to me all those years ago.
Long story short, this watch has seen the inside of a lot of drawers, but now it’s back to life and clicking along happily.
If you’re an astute reader, you’re probably wondering why I refer to this as my great, great grandfather’s watch when the story above indicates that it’s actually my great grandfather’s. As some of you know, I was raised by my grandparents, so the man I refer to as my dad is actually my grandfather. My biological father has been “out of the picture” since I was only a few months old.
Though the watch is strong and keeping good time, I’m going to place it in a glass dome display case and keep it in my office. It’s just a little too delicate for day to day use, but it’ll be a fantastic desk clock with a rich family history.
Tags:ray-ban, sunglasses, wayfarer.

These Ray-Ban Wayfarers are awesome! My new suns for summer ‘09.
Tags:book, history, neon, photography, portland, vintage.
At long last I’m finally ramping up on a photography project I’ve had in the works for a few years now. The idea is to build up a catalogue of the best neon signs in and around the Portland area with the ultimate goal of publishing a brief book on the subject. About three years ago, before I switched to an all digital workflow, I shot slides of about a dozen signs. Now I’m going back to get images of those in digital format and then expand the collection to include one or two dozen others.
The problem is that beyond the obvious candidates, there are many signs I forget about because I don’t see them very often or that I’m not aware even exist. That’s where YOU come in! I need your help in locating the best examples of vintage (and modern) neon signs so that I can add them to my list. If your suggestion makes it into the project, I’ll give you credit in the book!
Here’s the signs I’m already planning on shooting followed by examples of shots I’ve already taken.
The List So Far:
1. The Capitol Hill Motel
2. The 6th Avenue Motel
3. The Palms Motel
4. Portland Outdoor Store
5. Renner’s Bar and Grill
6. The Baghdad Theater
7. The Laurelhurst Theater
8. The Moreland Theater
9. The Academy Theater
10. The “Made in Oregon” sign (before and after the renovation?)
Examples:

The newly restored Hollywood Theater sign.

A detail view of the neon sign on the Capitol Hill Motel.

The sign at Renner's Bar & Grill in Multnomah Village.

An elaborate neon at Chin's Chinese in Portland.

Sort of an 'inverse neon' treatment at the FARM restaurant in Portland.

Broken but still beautiful - a detail of the neon sign on the Cameo Theater in Newberg.
Posted on 13 January '09 by admin, under Cool Stuff, Design, photography. 4 Comments.
Tags:basye, books, children, dale, tweens.
A good friend and former co-worker Dale Basye made his auspicious debut this week as the next JK Rowling – or so I’m sure he hopes. His tween-targeted book Heck: Where the Bad Kids Go is the story of two siblings who find themselves in a sort of supernatural reform school. Think middle school populated by demons both mythical and historical. Lizzy Borden, Blackbeard and Richard Nixon figure into the story, as do a whole host of others. The book features fantastic illustrations by Bob Dob. Do yourself (and your kids) a favor and go grab a copy today! Available now at fine Internet browsers near you… and in every bookstore across the nation. It’s published by Random House after all. Congrats, Dale!

Heck: Where the Bad Kids Go
Posted on 23 July '08 by admin, under Cool Stuff. No Comments.